boat chedules
As the past years since year 2000 , is Flørli in the Lysefjord, this summer 2009, the arena for several art shows.
june 28 th. - august 16 th. 11:00 – 18:00
The main exhibition:
Štefan Papčo
Štefan Papčo from Bratislava, Slovakia works with sculpture, installation, video, and is also a mountain climber. This year is Štefan Papčo one of the FARiL (Flørli Artist Residency in the Lysefjord) artist.
Štefan Papčo has built in the hall, during his stay in Flørli, the site spesific installasjon “Tatraversion”.
“Tatraversion” foto A-Btfn
“Tatraversion” in construction, foto Niels Noer
Flørli Hall : “Tatraversion” foto A-Btffn
Bratislava spring 2009
Brokeback mountain ©all foto by Štefan Papčo
In the hall of the powerplant, will Štefan build the inside version of “Brokeback mountain”, which is a model of Torres del Paine from Patagonia made as a sculpture in Bratislava, shown here on the pictures. . .
“The idea is to make a kind of atmosphere and sound created by a syntetic material which the form will be built of. The observer can walk inside the “mountain” and see the inversion from inside.” ŠP
The video installation “Draw your way”, as shown here under, the video projected invites the public, by the foot support screwed on the wall to climb “together” with the artist himself climbing the icy waterfall in Slovakia.
Štefan Papčo shows this same year another work in Norway, “Bivouac”, a sculpture project in the Jøssingfjord. As in Slovakia in the Tatras mountain, see on the site :
http://www.climb.sk/view.php?cisloclanku=2008062504,
is Štefan Papčo invited by TB DALANE KUNSTPROSJEKT to place the sculpture of a mountain climber in his bivouac carved in wood on the mountain side in the Jøssingfjord.
more about Štefan Papčo’s work on: TB DALANE KUNSTPROSJEKT
CV
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other exhibitions :
Lucia Stráňaiová
also from Slovakia, shows a foto projection.
“Grand parents”
Psychological study of the relationship of grand parents visually transformed from my point of view. This relationship is working a very long time now and was influenced by more factors, one of them was also the political era in Czechoslovakia. They believed this ideology both in personal and everyday life. Silence between them and their movements in silence.
foto Lucia Stráňaiová
(2009, Essl Award Final Exhibition, Essl Museum, Klosteneuburg, Vienna, Austria)
CV
Odd Sama
Odd Sama is a visual artist living in Brusand on the south/west coast of Norway and also a ceramist. For Flørli is Odd Sama making a cup wall installation similar to the one shown on the picture.
©Odd Sama foto
more about Odd Sama’s work on: ODD SAMA
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“De som drog, de som kom, de som er”
“Those who left – those who came, those who are
Synnøve Spangelo
Synnøve Spangelo from Bergen, Norway and is mainly a printmaker. Synnøve Spangelo projects photos, made out of material taken during a trip with her kayak.
From Håheller ©Synnøve Spangelo foto
“Slowly, but surely, deconstruction replaces life that has been lived.
And we can imagine what has passed , and what could have been
if people still cared for the places.” SS
“Sakte, men sikkert tek forfallet over etter det levde livet.
Og me kan drøyme om det som var, og det som kunne vore,
om menneska enno brydde seg om plassane.”
From Håheller ©Synnøve Spangelo foto
Håheller
Eg sov på stranda under teltet
av målingsplast. Og torde ikkje
gå inn i huset før daggry.
For der var stilla etter folka
som hadde ete, krangla,
elska, vorte fødd, levd og døydd,
og sjeldan har nokon kome sidan
og laga lyd.
Der var rullesteinsmurer langs
heile sjøkanta, og bugnande
frukthagar. Eg tok ikkje meir enn
eitt par moreller,
for det var ikkje mitt,
og om eg hadde ramla ner frå
den morkne stigen eller,
då eg var inne i huset, trødd
gjennom loftsgolvet, så ville ingen
ha merka noko..
Så frydefullt og så skremande det er,
å kjenna så klårt at livet
kviler berre på deg, der du står åleine
i dei døde si fråflytta verd.Då eg hadde komen derifrå,
trefte eg ei dame som fortalde at
dei aldri plukka bær på Håheller,
der var for mykje orm.
Det er eg glad eg ikke visste.
Håheller
I slept under a cover
made of industrial plastic.
And did’nt dare to enter the house until dawn.
For there were the silence after the ones
who had eaten, quarreled,
loved, been born, lived and died,
and seldom had anyone come after
and made any sound.
There were walls of boulders along the shore,
and bulging orchards. I did’nt take more than
a couple of cherries,
for they were not mine, and if I’d fell down from
the rotten ladder or,
when I was inside the house,
stepped through the attic floor,
no one would have noticed.
How joyful and how terrifying it is,
to feel so heavily that life
clings only to you, where you stand alone
in the abandoned world of the deceased.
When I was back from there,
I met a woman who told me they never
went for picking berries at Håheller ,
there were too many snakes.
I’m happy I did’nt know that .
SS
From Håheller ©Synnøve Spangelo fotoav målingsplast. Og torde ikkje
gå inn i huset før daggry.
For der var stilla etter folka
som hadde ete, krangla,
elska, vorte fødd, levd og døydd,
og sjeldan har nokon kome sidan
og laga lyd.
heile sjøkanta, og bugnande
frukthagar. Eg tok ikkje meir enn
eitt par moreller,
for det var ikkje mitt,
og om eg hadde ramla ner frå
den morkne stigen eller,
då eg var inne i huset, trødd
gjennom loftsgolvet, så ville ingen
ha merka noko..
å kjenna så klårt at livet
kviler berre på deg, der du står åleine
trefte eg ei dame som fortalde at
dei aldri plukka bær på Håheller,
der var for mykje orm.
Det er eg glad eg ikke visste.
made of industrial plastic.
And did’nt dare to enter the house until dawn.
For there were the silence after the ones
who had eaten, quarreled,
loved, been born, lived and died,
and seldom had anyone come after
and made any sound.
and bulging orchards. I did’nt take more than
a couple of cherries,
for they were not mine, and if I’d fell down from
the rotten ladder or,
when I was inside the house,
stepped through the attic floor,
no one would have noticed.
How joyful and how terrifying it is,
clings only to you, where you stand alone
in the abandoned world of the deceased.
I met a woman who told me they never
went for picking berries at Håheller ,
there were too many snakes.
I’m happy I did’nt know that .
SS
____
Ingvar Blychert mfl. mer info kommer …
____
The hall – images
Pinups-fotos of the large hall sent by the public on the café wall and on Flikr.
An ongoing exhibition.
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